Lansã is known as the orixa of tempest weather such as lightning, hurricanes, tornadoes, as well as estuaries, which are the part of a river where the rivers current meets a seas tide.
The colors and he symbolism
It is said that Lansã is symbolized by 3 different symbols: the broom, mace, and the horsetail whip. Her identifying metal is copper and like other orixa, she plays specific social roles: a market woman, a Char woman, and a warrior queen. Lansã is a very powerful female orixa, because she has the role of a warrior, one of her main symbols is the horsetail because according to tradition it is what Lansã takes into battle with her and which she also commands the dead with. It is said that Lansã is a fierce warrior who follows her own husband, Xango, into battle. Another identifying feature of Lansã is the food that is associated with this orixa, which is also known as her favorite. In the Candomblé practice, food is presented as offering to different orixas, the food particular to Lansã is acaraja which is a dish which is basically bean rolls with shrimp fried in a spice known as azeite de dendi.
Costume
Within the practice of Candomblé, worship is done in the form of rituals such as dancing. During this dancing, followers dress in specific costumes according to which orixa they are worshipping. The main costume associated with Lansã is composed of big billowy skirts that come in reds and white. Pictures of Lansã depict her also holding what looks like a sword or a horsetail whip, and because she is a warrior queen she is often depicted wearing a crown as a part of her costume. Among other things on her costume, she is often seen wearing a big red bow across her skirts, which perhaps symbolize her femininity, even though she is known as a warrior. On her head besides wearing a crown she is often depicted wearing a headband which has strands of beads hanging down from it that cover her eyes.
Dancing Rituals and Possession
Dancing in Candomblé plays a major role in the lives of its followers. Followers of Candomblé believe that through dance worshipping, possession of the person takes place. Possession is a phenomenon where a specific orixa is believed to posses a humans body temporarily and different things occur to the person to signify that they have been possessed by the orixa. A person make begin to tremble of breathe heavily and in a strange manner and they also begin to tell stories through their dancing, in particular the individual story of the orixa that has possessed them. According to a Candomblé expert, author Paul Christopher Johnson, Lansã’s dancing is very similar to the natural elements that she represents because “when dancing Lansã dances with the force of a windy tempest”. Those who practice Candomblé also believe that each individual has an orixa that is specific to them and that determines their destinies. According to Johnson, it is said that “those who claim [Lansã] as the master of their heads…are considered to be energetic, charismatic, and immensely capable people”. Because Lansã is seen as orixa with a powerful force and a warrior queen it is only natural that those who she posses or guide would carry similar characteristics.
Conclusion
The practice of Candomblé in Afro-Brazil has long been established in areas like the Bahia. When Candomblé first began to emerge in parts of Brazil, its followers were often ridiculed because it seemed to be out of lines with the traditional beliefs of Catholicism. However, it is now easy to see the intertwining of the two religions, as well as other religions from around the world. Because dance is such a big part of this practice, each orixa in Candomblé, posses different movements, symbols and characteristics. Lansã specifically is strong representation of a female warrior whose character can be seen as fierce because of the natural elements that she is associated with. Lansã is also perhaps one of the more important orixa because of her role between life and death. Perhaps it is the case that Lansã could be seen as the median between those two realms. As an orixa, Lansã is powerful and gives a strong view of female orixas.
Work Cited
- "BBC - Religion & Ethics - At a glance." BBC - Homepage. 06 May 2009 http://www.bbc.co.uk/religion/religions/candomble/ataglance/glance.shtml.
Johnson, Paul C. "Secrets, Gossip, and Gods: The ... -." Google Book Search. 05 May 2009 http://books.google.com/books?id=i42KkJENVbIC&pg=PA38&dq=lansa+and+candombl%C3%A9&ei=Tx4DSvPHKZWolASrtuzFBA#PPA38,M1.
Kwesi Yankah, Philip M. "African folklore: an encyclopedia -." Google Book Search. 06 May 2009 http://books.google.com/books?id=pOcWLGktIYoC&pg=PA392&lpg=PA392&dq=lansa+the+orixa&source=bl&ots=Z36SNzU0CU&sig=KsIDQ0qrQNr_jsQ2mcXgToLa4Sc&hl=en&ei=nygDSu6qLY-KtgOe8IThAQ&sa=X&oi=book_result&ct=result&resnum=1.
Iansã
ReplyDeleteOkay. You had a decent bibliography, but you should work on your citaiton methods. This was well written, with only a few malapropisms. I LOVED the flash animation. Where did you find it?
ReplyDelete√++